{"id":22,"date":"2013-10-19T15:19:12","date_gmt":"2013-10-19T15:19:12","guid":{"rendered":"http:\/\/susannalopez.wordpress.com\/?page_id=22"},"modified":"2026-10-04T18:20:40","modified_gmt":"2026-10-04T18:20:40","slug":"research","status":"publish","type":"page","link":"https:\/\/susannalopez.com\/es\/research\/","title":{"rendered":"Investigaci\u00f3n art\u00edstica"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" width=\"1017\" height=\"1024\" src=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-1017x1024.jpg\" alt=\"\" class=\"wp-image-4232\" style=\"aspect-ratio:0.9931646037317569;width:255px;height:auto\" srcset=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-1017x1024.jpg 1017w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-298x300.jpg 298w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-150x150.jpg 150w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-768x773.jpg 768w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-12x12.jpg 12w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-685x690.jpg 685w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200-580x584.jpg 580w, https:\/\/susannalopez.com\/wp-content\/uploads\/2021\/09\/La-politica-del-ruido-1200.jpg 1192w\" sizes=\"(max-width: 1017px) 100vw, 1017px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/susannalopez.com\/es\/portfolio\/la-politica-del-ruido-2\/\">La pol\u00edtica del ruido. El ruido como arma definitiva<\/a> <\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Es una investigaci\u00f3n sobre creaci\u00f3n sonora e indisciplina art\u00edstica. En \u00e9l hago un recorrido hist\u00f3rico desde los or\u00edgenes de la m\u00fasica experimental hasta nuestros d\u00edas. A finales del siglo XIX, Europa era un hervidero social, pol\u00edtico, econ\u00f3mico y cultural. El desarrollo de la tecnolog\u00eda, en progresi\u00f3n geom\u00e9trica, planteaba la necesidad de nuevas formas de arte no figurativas. La m\u00fasica no fue ajena al alboroto vanguardista. Los m\u00fasicos se contagiaron de esta percepci\u00f3n del arte como investigaci\u00f3n abierta, exploraci\u00f3n y, al mismo tiempo, reflejo de su tiempo y su sociedad. A consecuencia de esto, el mismo lenguaje de la m\u00fasica mut\u00f3 hasta reinventarse por completo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/susannalopez.com\/es\/portfolio\/la-politica-del-ruido\/\">Podcasts<\/a> \/\/ <a href=\"https:\/\/www.patreon.com\/c\/susandrone\/shop\" target=\"_blank\" rel=\"noopener\">Book<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" width=\"700\" height=\"489\" src=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/postal-sonm-2011.jpg\" alt=\"\" class=\"wp-image-2129\" style=\"aspect-ratio:1.4316429579758931;width:272px;height:auto\" srcset=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/postal-sonm-2011.jpg 700w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/postal-sonm-2011-600x419.jpg 600w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/postal-sonm-2011-300x210.jpg 300w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/postal-sonm-2011-685x479.jpg 685w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/postal-sonm-2011-580x405.jpg 580w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Sound Archives &amp; Experimental Music<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Coordinaci\u00f3n de <strong><a href=\"https:\/\/web.archive.org\/web\/20220915144218\/https%3A%2F%2Fsonm.es%2F\">SONM<\/a><\/strong>, la Fonoteca de M\u00fasica Experimental y Arte Sonoro (2010-2021).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 2009 inici\u00e9 el desarrollo del proyecto, la catalogaci\u00f3n del archivo, la documentaci\u00f3n y digitalizaci\u00f3n de <strong><a href=\"https:\/\/susannalopez.com\/es\/gestion-cultural\/\">SONMARCHIVE<\/a><\/strong>SONMARCHIVE: el archivo online de m\u00fasica experimental y arte sonoro, que fue establecido en Murcia por Francisco L\u00f3pez.<br><br>Actualmente, el archivo (f\u00edsico y digital) se encuentra en Valencia, en Las Naves: super-sonic. <strong><a href=\"https:\/\/supersonic.lasnaves.com\/index.php\/es\/\">Super\u00b7Sonic<\/a><\/strong>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-1024x576.jpg\" alt=\"\" class=\"wp-image-2159\" style=\"width:273px;height:auto\" srcset=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-1024x576.jpg 1024w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-600x338.jpg 600w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-300x169.jpg 300w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-768x432.jpg 768w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-1536x864.jpg 1536w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-1200x675.jpg 1200w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-685x385.jpg 685w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13-580x326.jpg 580w, https:\/\/susannalopez.com\/wp-content\/uploads\/2020\/04\/noofera-sonora-10-05-13.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Noosfera Sonora<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Dise\u00f1o y producci\u00f3n de <strong><a href=\"http:\/\/www.sonm.es\/index.php\/es\/noticias\/224-exposicion-qnoosfera-sonoraq\">Noosfera Sonora<\/a><\/strong> Instalaci\u00f3n de Arte Sonoro y M\u00fasica Experimental realizada en el Centro Puertas de Castilla de Murcia con motivo de su d\u00e9cimo aniversario.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" width=\"370\" height=\"370\" src=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2018\/01\/oicc81r-arte.jpg\" alt=\"\" class=\"wp-image-631\" style=\"width:177px;height:auto\" srcset=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2018\/01\/oicc81r-arte.jpg 370w, https:\/\/susannalopez.com\/wp-content\/uploads\/2018\/01\/oicc81r-arte-300x300.jpg 300w, https:\/\/susannalopez.com\/wp-content\/uploads\/2018\/01\/oicc81r-arte-100x100.jpg 100w, https:\/\/susannalopez.com\/wp-content\/uploads\/2018\/01\/oicc81r-arte-150x150.jpg 150w\" sizes=\"(max-width: 370px) 100vw, 370px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Artistas Sonoros Espa\u00f1oles<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En 2013, desarroll\u00e9 <strong><a href=\"http:\/\/sonmarchive.susannalopez.com\/spanisharchive\/index.php\/es\/\">Artistas Sonoros Espa\u00f1oles<\/a><\/strong>una plataforma online, sin \u00e1nimo de lucro, creada para la difusi\u00f3n de la m\u00fasica experimental, el arte sonoro y la promoci\u00f3n de los artistas sonoros espa\u00f1oles que forman parte de ella.<br><br>Desarrollada a partir de los archivos de\u00a0 <strong><a href=\"https:\/\/web.archive.org\/web\/20220915144218\/https%3A%2F%2Fsonm.es%2F\">SONM<\/a><\/strong> mediante una subvenci\u00f3n del Ministerio de Cultura.<br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" width=\"580\" height=\"580\" src=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2026\/03\/Pioneras-electronicas.jpg\" alt=\"\" class=\"wp-image-4095\" style=\"width:200px;height:auto\" srcset=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2026\/03\/Pioneras-electronicas.jpg 580w, https:\/\/susannalopez.com\/wp-content\/uploads\/2026\/03\/Pioneras-electronicas-300x300.jpg 300w, https:\/\/susannalopez.com\/wp-content\/uploads\/2026\/03\/Pioneras-electronicas-150x150.jpg 150w, https:\/\/susannalopez.com\/wp-content\/uploads\/2026\/03\/Pioneras-electronicas-12x12.jpg 12w\" sizes=\"(max-width: 580px) 100vw, 580px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><strong>Women in Experimental Music<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/susannalopez.com\/es\/women-in-experimental-music\/\"><\/a><strong><a href=\"https:\/\/susannalopez.com\/es\/women-in-experimental-music\/\">Archivo, podcasts, investigaci\u00f3n hist\u00f3rica.<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-susana-l-pez-susan-drone wp-block-embed-susana-l-pez-susan-drone\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-wrapper\"><blockquote class=\"wp-embedded-content\" data-secret=\"qPOC1F1jtm\"><a href=\"https:\/\/susannalopez.com\/es\/sonic-spirit\/\">Sonic Spirit<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u201cSonic Spirit\u201d \u2014 susana l\u00f3pez | susan drone\" src=\"https:\/\/susannalopez.com\/sonic-spirit\/embed\/#?secret=6dvabYWT6w#?secret=qPOC1F1jtm\" data-secret=\"qPOC1F1jtm\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-1024x681.jpg\" alt=\"\" class=\"wp-image-3679\" srcset=\"https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-1024x681.jpg 1024w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-300x200.jpg 300w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-768x511.jpg 768w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-1536x1022.jpg 1536w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-18x12.jpg 18w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-1200x798.jpg 1200w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-685x456.jpg 685w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010-580x386.jpg 580w, https:\/\/susannalopez.com\/wp-content\/uploads\/2025\/09\/susana-sonm-2010.jpg 1936w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Susana L\u00f3pez catalogando el archivo sonoro en 2010<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The politics of noise. Noise as the ultimate weapon. It is an investigation into sound creation and artistic indiscipline. In it, I trace a historical path from the origins of experimental music to the present day. At the end of the 19th century, Europe was a hotbed of social, political, economic, and cultural activity. Rapid technological advancement\u2014growing at a geometric rate\u2014created a need for new, non-figurative forms of art. Music was not immune to this avant-garde ferment. Musicians embraced the idea of \u200b\u200bart as open-ended inquiry and exploration\u2014while simultaneously serving as a reflection of their times and society. Consequently, the very language of music transformed, eventually reinventing itself entirely. Podcasts \/\/ Book Sound Archives &amp; Experimental Music Coordination of SONM, the Experimental Music and Sound Art Archive (2010\u20132021). In 2009, I began developing the project and working on the cataloguing, documentation and digitisation of SONMARCHIVE, the online archive of experimental music and sound art established in Murcia by Francisco L\u00f3pez. The archive, both physical and digital, is currently housed at Las Naves in Valencia as part of Super\u00b7Sonic. Noosfera Sonora Production of the Noosfera Sonora exhibition, a sound art and experimental music installation presented at Centro Puertas de Castilla in Murcia to mark the centre\u2019s tenth anniversary. Spanish Sound Artists In 2013, I developed Spanish Sound Artists, a non-profit online platform dedicated to the dissemination of experimental music and sound art and to promoting the work of Spanish sound artists. The project was developed from the SONM archives with funding from the Spanish Ministry of Culture Women in Experimental Music Archive, podcasts and historical research.<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"The politics of noise. Noise as the ultimate weapon. It is an investigation into sound creation and artistic indiscipline. In it, I trace a historical path from the origins of experimental music to the present day. At the end of the 19th century, Europe was a hotbed of social, political, economic, and cultural activity. 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